Sustainable production and story development for film & television productions wanting to use their voice for a more hopeful future.
I am a sustainability consultant and story editor ambitiously working towards a greener film and television industry of tomorrow. On the ground-level, that means helping productions to reduce their environmental impact with practical first-hand experience in the green production methods and footprint calculation. For wider impact reaching out to audiences, I work with writers, directors, and producers to develop stories and shift narratives to better contribute to something most of us need right now: a believable vision of a world worth building.
We can repeating the narratives of our current extractive system and start cultivating the values and mindsets that are foundational to a better tomorrow. The emerging system is already here, we just need to normalise it. With climate narratives we can demonstrate possible futures and show how to get there.
"The world doesn't change one person at a time. It changes as networks of relationships form
among people who discover they share a common cause and vision of what’s possible"
sustainable production consultation
Practical sustainability guidance for film and TV productions in the Nordics. I offer sustainability planning, carbon reporting, green set practices and certification support.
Story development &
script editing
I specialise in climate storytelling and green narratives helping writers, directors and producers tell the stories they want to tell in the most impactful way.
TRAINING & CERTIFICATIONS
Albert certified productions · Climate Spring · Torino Film Lab · Sustainability leadership & climate communications ·
"If climate isn't in your story, it's science fiction."
The audiovisual sector has a huge negative footprint, typically consisting of diverse negative impacts from travel to energy use and effects on the environments we film in. On the other hand, the end result can reach enormous audiences. That combination is either a problem or an opportunity: depending on what you make and how you make it.
The world as it exists was built on agreements made by people. The good news is, those agreements can be remade. Most of us understand this in the abstract, but we underestimate how much the people around us care about the future, about each other, about what kind of world we're leaving behind. That gap between what we privately feel and what we assume others feel is one of the things that makes collective action so hard. And it's one of the things that stories are uniquely great at closing.
I work on both sides of this: the physical footprint of production, and the stories that productions send out into the world.
